Rashik
Hassan

A tower for Chattogram, where economic, traffic, administrative and natural forces converge — asking for a form that visibly registers those competing pressures rather than ignoring them.

A rational podium anchors a slow structural twist up the tower's full height, letting the skyline form itself become a diagram of the external forces acting on the site.

A century-old Elizabethan-style theatre hall in Sylhet, at risk of being lost, needed a future use that would justify preserving it rather than replacing it.

The proposal keeps the historic theatre as the anchor of a new riverside retreat, wrapping it with contemporary brick volumes so nostalgia for the past becomes the draw for a new public entertainment destination.

A competition to design the main gate of Begum Rokeya University, Rangpur — a threshold that had to honour a pioneer of women's education in Bangladesh.

The gate's tilted concrete frame reads as a lamp holding a flame, with a central tree standing in for the flickering light — a form built from the Krishnachura-lined road it fronts.

A railway station sited between the Shitalakshya River and Narayanganj town, needing to function as an arrival point read from both directions at once.

Layered, folded canopy roofs are pulled into a single gateway gesture, giving the station a monumental, welcoming profile that orients visitors to the city beyond it.

A student hall for SUST needed to accommodate graduate, post-graduate and foreign students together, alongside dining and amenity space, without the result feeling institutional.

Conceived as "breaking the forms," distinct volumes for each user group collide and overlap at a shared centre, and the friction between them becomes the building's social and circulation heart.

An exhibition centre for art and craft needed to represent not just finished objects, but the underlying forms and processes that all art shares.

Titled "telling the myth of forms," the design strings a geodesic sphere, a pyramid and a rectilinear volume along a shared colonnade — primary forms standing in for the shared root of all artistic expression.